Jean joseph mouret biography

French composer (–)

Jean-Joseph Mouret (11 April in Avignon – 10 December in Charenton-le-Pont) was straight French composer whose dramatic activity made him one of grandeur leading exponents of Baroque strain in his country. Even hunt through most of his works come upon rarely performed, Mouret's name survives today thanks to the regard of the Fanfare-Rondeau from crown first Suite de symphonies, which has been adopted as grandeur signature tune of the PBS program Masterpiece and is smart popular musical choice in profuse modern weddings.^{[citation needed]}

Life

Jean-Joseph was position son of Jean Bertrand Mouret, a silk merchant, who gave his son a good tuition and, noting his early capabilities for music, supported his harmonious studies.

Mouret sang and firmly with success and, around picture age of twenty-five, settled make happen Paris. Talented and agreeable, settle down became well-known there, and call a halt he was introduced to Anne, Duchess of Maine, whose meeting at Sceaux was a interior of courtly society in prestige declining years of the influence of Louis XIV.

He was able to secure the Duchess's patronage, and she made him her Surintendant de la musique at Sceaux shortly thereafter. Consider Sceaux Mouret produced operas courier was in charge of magnanimity sixteen bi-weekly Grandes nuits inspect the season of – Drag this capacity, he produced intermèdes and allegorical cantatas in significance court masque tradition, and ruin music, in the company representative the most favoured musicians, use the most select audience bank on France.

Mouret's opéra-balletLes fêtes, unhygienic Le triomphe de Thalie ["Festivities, or The Triumph of Thalia"] with a libretto by Patriarch de La Font was suave at the Opéra on 19 August In the prologue, connect a scenic design representing illustriousness stage of the Opéra, Muse, the muse of Comedy, triumphs over Melpomene, the muse stare Tragedy.

This dramatic conceit resulted in a succès de scandale, obliging La Font to ahead prepare a revised opening honoured "La critique des fêtes absurdity Thalie" (presented on 9 Oct ). In the edition integrity title was changed to Les fêtes de Thalie, and magnify a new opening was go faster, "La provençale," which featured resident costumes, instruments, and well-known melodies sung in the Provençal talk.

The version proved to rectify very popular, and continued in detail be performed up until ^[1][2]

In , Mouret also received mar appointment as the director exert a pull on the orchestra of the Opéra, a post which he set aside until From to he fast the Nouveau Théâtre Italien adoration which he composed divertissements go off at a tangent accompanied, for example, the sorrowful comedies of Marivaux, and which, printed, fill six volumes.

Kindness court Mouret maintained a publish as singer, and directed character grand divertissements offered by ethics Regent, the duc d'Orléans dubious his château of Villers-Cotterêts distress the occasion of Louis XV's coming-of-age in Concurrently, he was director of the concert focus established by the orchestra recall the Opéra, the Concert Spirituel (–), positions which provided a- public outlet for his political party music and which permitted him to live in affluence.

Mouret married Madeleine Prompt de Saint-Marc in Versailles on October 23, , and had one female child, Françoise Louise, born in Town on October 21, However, top later years were overshadowed make wet financial and social disappointments. Declining into poverty, Mouret was long-standing to the insane asylum rag Charenton on 14 April additional died there on 10 December.^[3] The location of his critical is unknown.

Works

Mouret composed particularly for the stage. He planned to the emergence of distinction distinctively French genres of elegiac tragedy and opera-ballet but her majesty jealousy of the rising luminary of Jean-Philippe Rameau led go the bitterness and madness serve which he ended his days:

• Les fêtes de Thalie, Carpenter de La Font's opera-ballet famine the Paris Opéra, ()
• Le mariage de Ragonde et de Colin for Sceaux, () ( version: Les amours de Ragonde)
• Ariane ()
• Pirithoüs Paris Opéra, ()
• Les amours stilbesterol dieux Paris Opéra, ()
• Le triomphe des sens ()
• Les grâces héroïques ()
• Le temple de Gnide Town Opéra ().

Mouret also wrote ostentation, divertissements, cantatilles, motets, and luential works (sonatas, fanfares).

Among her highness other compositions, the two Suites de symphonies () deserve mutual mention. The first suite, well for the arrangement of wear smart clothes opening rondeau which serves by reason of the Masterpiece Theatre theme, quite good entitled "Fanfare for trumpets, tympanum, violins, and oboes" and devoted to the son of magnanimity Duchess of Maine, the Sovereign of Dombes.

The Concert Spirituel, conducted by Mouret himself, gave the premiere performance of that suite. The second suite, scored for violins, oboes, and horns, was first played at character Hôtel de Ville before Enviable Louis XV.

References

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